刘凤仙——2024 世界艺术舞台领航者

　　大国的崛起,首先是文化的崛起。我国光辉灿烂的民族文化,在世界文化发展中发挥着举足轻重的作用。在绵延数千年的中华文明历程中,对外文化交流犹如一支奇葩,绽放出奇异的光彩。书法、美术在内的文化产业随着对外文化交流事业的深入，艺术领域不断涌现出独具特色的优秀作品和创新文艺理论，中国文化的世界影响力日益增强。

　　刘凤仙，中国著名艺术家。1942 年生。自幼酷爱美术，曾任多年美术教师，受黄胄大师指点，几十年如一日研习绘画理论及技法，苦练不辍，以花鸟为主，尤擅画梅与寿桃，其作品气势磅礴，清新怡人，喜庆向上，具时代气息。因诗、书、画全面发展，有‘东方才女’之美誉。是位蜚声国内外的著名女画家。

　　刘凤仙女士，曾在四十余个艺术组织兼荣誉主席、名誉院长、荣誉馆长、副主席、院士、顾问、研究员、客座教授、公益大使，艺术使节，理事等职务。为在联合国召开的“中美品牌大会”唯一命名的知名国礼画家。她多次在国内外举办个人展览，数十次参加全国及国际性书画大展大赛，并屡获大奖，曾多次获特等奖、金奖、银奖、二等奖、优秀奖、特别荣誉奖、特殊贡献奖、功勋奖，最佳创作奖。曾获联合国组织的世界和平艺术大赛金奖，中韩两国联谊大笔会金奖，海峡两岸书画大赛金奖，毛体书法曾获特等奖，优秀奖，等一百多个奖项和荣誉。因成绩卓著，被授予“国宝级艺术家”，“影响世界的十大金牌艺术家”，“世界风向标艺术家”，“珍藏极艺术家”，“软黄金艺术家”，“当代极具收藏价值的艺术家”，“书画艺术大师”，“东方才女”，“当代书画界新领军人物”，“中国当代书画大家”，“优秀人民艺术家”等称号。作品辑入《世界名人录》、《一代名家》、《二十世纪著名书画家》、《中国书画名家教授大辞典》、《中国美术史》、《中国美术教育年鉴百年》、《共和国艺术宝鉴》、《中国九大殿堂级艺术家》、《中国当代书画大家》、《中国实力派画家》、《画梅巨匠》、《雄踞中国艺坛艺术家》、《艺坛名家》、《中国近现代名家典藏画集·综合卷》等二百余部典集与辞书。著有《刘凤仙书画艺术》、《刘凤仙画集》、《刘凤仙国画欣赏》、《书画艺术家刘凤仙献礼建党 100 周年》、《圣儒-国画名家刘凤仙艺术画集》、《著名书画艺术家刘凤仙国画专辑》{光盘｝、《中国文化名家专题邮票)、《刘凤仙诗百首》、《刘凤仙诗词歌赋、格言录》、中篇纪实小说《追梦人求学》等。其作品深受国家领导人、企业界、艺术界、博物院、国内外朋友及广大书画爱好者的青睐 与收藏。因德艺双馨，成为深受人民欢迎和爱戴的艺术家。

　　刘凤仙笔下之梅花，气韵生动，墨法自然，凌霜傲雪，气势磅礴，枝干清癯，苍劲嶙峋。寿桃，饱满圆润，枝繁叶茂，形神兼备，栩栩如生，独家创作，堪称一绝。她的这两类画作行笔豪放恣纵，用墨清新飘逸、潇洒淋漓，飘溢着冷冽的清香，蕴含着饱满的汁水，线条婀娜多姿，枝干凝重厚实，她的其他作品也颇见功力，正因为如此，常常被人们称为‘女中豪杰’。

　　刘凤仙创作，师古而不泥古，继承不照搬，而是紧紧抓住自然界动植 物与人们生活、思想情感的某种联系给与强化表现。着重神、魂、韵的点画与描写，注意美与善的观念表达。用“移生动质"传达花鸟的生命力与其各不相同的特性，强调其“夺造化而移精神遐想"的怡情作用。通过对花鸟画的创作来表达自己的志趣、情操与精神生活，表达内在的思想与追求，缘物寄情，托物言志。

　　墨是中国传统书画中的主要元素，浓、重、淡、清、焦，为运墨五色，墨与色的完美结合是每位画家孜孜以求的至高境界。但 行笔用墨是绘画艺术的皮肉，而笔中的劲力却是画中的风骨和气韵。刘风仙结合自己的审美情趣大胆创新，不断尝试，使作品中的形貌、骨法、质地、光暗及情态神韵逐步形成了自己的风格。气势磅礴而不失小巧细腻，刚劲老辣而不失自然清新，这正是她绘画作品的写照。

　　刘凤仙创作，意存笔先，画尽意在，豪放不显张扬，意境深远而不失恬淡清新，其梅花或艳如朝霞或白似瑞雪;寿桃或娇艳欲滴或灵秀芬芳，阵阵暗香仿佛跃出纸面，扑面而来，巧妙的将自然灵性点染画中，好似呼唤出了中国千年文化底蕴的深沉回声，诠释了中华民族古老艺术的深刻内涵。

　　刘凤仙的作品，由于以诗入画、以书法入画、以学养入画，创作中在达意抒情和骨法用笔、线条运行上能够紧密的结合，外师造化，中得心源，形成了显著的艺术特征。

　　绘画作品中的诗文跋语往往代表作品主人的心声。一句好诗，能表现出作者的内涵和学养。一句好诗，亦能起到画龙点睛的作用。刘凤仙作品中的诗句布局巧妙，胸怀天地，在构图上，突出主体，讲求布局中的虚实对比与顾盼呼应，把发挥画意的诗歌题句，用与画风相协调的书法在适当的位置书写出来，辅以印章，成为一种以画为主的综合性书画艺术作品，留白空间的疏、密、聚、散;花、果、鸟、叶的柔嫩灵活，老干边缘的毛、涩质感，无不显示其作品的巧夺天工。

　　Liu Fengxian is a famous Chinese artist. Born in 1942. I have been passionate about art since I was young, and have served as an art teacher for many years. Under the guidance of Master Huang Zhou, I have been studying painting theory and techniques for decades. I have been practicing diligently, with a focus on flowers and birds. I am particularly skilled in painting plums and peaches, and my works are magnificent, refreshing, and uplifting, with a sense of the times. Due to the comprehensive development of poetry, calligraphy, and painting,she is known as the 'talented woman of the East'. She is a renowned female painter both domestically and internationally.

　　Ms. Liu Fengxian has served as Honorary Chairman, Honorary Dean,Honorary Curator, Vice Chairman, Academician, Advisor, Researcher,Visiting Professor, Public Welfare Ambassador, Art Ambassador, andDirector in more than 40 art organizations. He is the only well-knownnational painter named after the "China US Brand Conference" held at theUnited Nations. She has held multiple personal exhibitions bothdomestically and internationally, participated in dozens of national andinternational calligraphy and painting exhibitions and competitions, andhas won numerous awards. She has also won special awards, gold awards,silver awards, second prizes, excellent awards, special honors, specialcontributions, merit awards, and best creation awards. Has won the goldmedal in the World Peace Art Competition organized by the United Nations,the gold medal in the China South Korea Friendship Association, the goldmedal in the Cross Strait Calligraphy and Painting Competition, and morethan 100 awards and honors in Maoti calligraphy, including the SpecialAward, Excellent Award, etc. Due to outstanding achievements, he has beenawarded titles such as "National Treasure level Artist", "Top 10 GoldMedal Artists Influential to the World", "World Wind Vanguard Artist","Treasure Extreme Artist", "Soft Gold Artist", "Contemporary Artist withHigh Collection Value", "Master of Calligraphy and Painting Art","Oriental Talent Girl", "New Leading Figure in Contemporary Calligraphyand Painting Industry", "Master of Contemporary Chinese Calligraphy andPainting", "Outstanding People's Artist", etc. The works have beencompiled into the "World Celebrity List", "A Generation of Famous Artists","Famous Calligraphers and Painters of the 20th Century", "Dictionary ofChinese Calligraphers and Painters", "History of Chinese Art", "China ArtEducation Yearbook for a Century", "Republic Art Treasure", "China's NineGreat Hall level Artists", "Contemporary Calligraphers and Painters ofChina", "Chinese Powerful Painters", "Painters of Plum Blossom BlossomBlossom", and "Artists Dominating the Chinese Art World" More than 200classic collections and dictionaries, including "Famous Artists in theArt World" and "Comprehensive Volume of Collected Paintings of ChineseModern and Contemporary Masters". He has authored works such as "LiuFengxian's Calligraphy and Painting Art", "Liu Fengxian's PaintingCollection", "Liu Fengxian's Appreciation of Traditional ChinesePainting", "Calligraphy and Painting Artist Liu Fengxian Presents a Giftto the 100th Anniversary of the Founding of the Communist Party of China","Saint Confucianism Famous Traditional Chinese Painting Artist LiuFengxian's Art Collection", "Famous Calligraphy and Painting Artist LiuFengxian's Traditional Chinese Painting Album" (CD), "Special Stamp ofChinese Cultural Masters", "One Hundred Poems of Liu Fengxian", "LiuFengxian's Poetry, Songs, and Mottoes Record" Medium length documentarynovels such as "Dream Chasers Seeking Education". His works are highlyfavored and collected by national leaders, businesses, art circles,museums, domestic and foreign friends, and a large number of calligraphyand painting enthusiasts. Due to the dual virtues of virtue and art, hehas become a popular and beloved artist among the people.

　　The plum blossoms in Liu Fengxian's pen have a vivid and natural charm,with a natural ink technique. They are majestic with frost and snow, andtheir branches are delicate and vigorous. Shoutao, full and round, withlush branches and leaves, is both in form and spirit, lifelike, andexclusively created, making it a masterpiece. Her two types of paintingshave bold and unrestrained brushstrokes, with fresh and elegant ink,flowing with a cold and refreshing fragrance, containing full juice. Thelines are graceful and varied, and the branches are heavy and thick. Herother works also show great skill, which is why she is often referred toas a "heroine among women".

　　Liu Fengxian's creations are based on the past, not on the past,inheriting rather than copying, but firmly grasping the connectionbetween natural flora and fauna and people's lives, thoughts, and emotionsto strengthen their expression. Focus on the stippling and descriptionof spirit, soul and rhyme, and pay attention to the expression of beautyand goodness. By conveying the vitality and unique characteristics offlowers and birds through the use of "vivid and vivid" techniques, weemphasize the delightful effect of "seizing creation and moving spiritual imagination". Through the creation of flower and bird paintings, we express our own interests, sentiments, and spiritual life, express our inner thoughts and pursuits, rely on objects to express our emotions, and use objects to express our aspirations.

　　Ink is the main element in traditional Chinese painting and calligraphy. It is rich, heavy, light, clear, and focal, which are the five colors of ink. The perfect combination of ink and color is the highest level that every painter strives for. But the use of ink and brush is the flesh and skin of painting art, while the strength in the brush is the character and charm in the painting. Liu Fengxian combines his own aesthetic taste and boldly innovates, constantly trying to form his own style in the morphology, bone structure, texture, light and darkness, and modal charm of his works. Her paintings are characterized by theirgrandeur without losing their delicacy and compactness, and their vigor and seasonality without losing their natural freshness.

　　Liu Fengxian's creation, with the intention of preserving the brush first, fully embodies the intention of painting, bold but not ostentatious,with a profound and tranquil artistic conception. Its plum blossoms are either as beautiful as the morning glow or as white as the auspicious snow;Longevity peaches are either charming and charming, or have a delicate fragrance. The subtle fragrance seems to jump out of the paper and rush towards the face, cleverly embellishing the natural spirituality in the painting, as if calling out the deep echo of China's millennium old cultural heritage, interpreting the profound connotation of ancient Chinese art.

　　Liu Fengxian's works, due to the use of poetry in painting, calligraphy in painting, and education in painting, can be closely combined in expressing emotions, using brushstrokes, and running lines in creation. They learn from nature and gain inspiration from the heart,forming significant artistic features.

　　The poetry and postscript in paintings often represent the voice of the owner. A good poem can express the author's connotation and education.A good poem can also serve as the finishing touch. The poetic layout in Liu Fengxian's works is clever, with a broad mind towards heaven and earth.In terms of composition, the main body is highlighted, emphasizing the contrast between reality and virtuality in the layout and the resonance of expectations. The poetic titles that express the meaning of painting are written in appropriate positions with calligraphy that is coordinated with the painting style, supplemented by seals, becoming a comprehensive calligraphy and painting art work with painting as the main focus. The sparse, dense, concentrated, and scattered spaces are left blank; The softness and flexibility of flowers, fruits, birds, and leaves, as well as the rough and astringent texture of the edges of the old stem, all demonstrate the exquisite craftsmanship of their works.